Grace Church in New York City
New York, New York
Opus 65, under construction
progress photos | more information | specification | model photos

 

Great
Swell
16' 
Double Open Diapason (façade from F)
16'
Contra Gamba (E-B in façade)
16'
Bourdon (C-E from Double Open)
8'
Principal (in façade)
8'  
Open Diapason I
8'
Violin Diapason
8'   
Open Diapason II
8'
Chimney Flute
8'
Spire Flute
8'
Salicional
4'   
Principal
8'
Voix Celeste (from G)
4'   
Spitz Flute
4'
Principal
2 2/3' 
Twelfth
4'
Open Flute
2'   
Fifteenth
2 2/3'
Nasat
1 3/5'
Seventeenth
2'  
Fifteenth
V
Cornet (g to d3, mounted)
2'
Wald Flute
Mixture
1 3/5'
Tierce
IV
Scharf
V
Mixture
16'
Double Trumpet
16' Contra Bassoon
8'
Trumpet
8'
Cornopean
4'
Clarion
8'
Oboe
4'
Clarion
Tremulant
   

 

Choir
Solo
8'
Principal Dolce (wood)
8'
Harmonic Flute
8'
Gedackt (wood)
8'
Gamba
8'
Flute Douce (C-E from Gedackt)
8'
Gamba Celeste (from C)
8'
Unda Maris (from c0)
8'
Viol d'orchestre 
4'
Octave *
8'
Viol Celeste (from c) 
4'
Chimney Flute
4'
Traverse Flute (wood)
2'
Gemshorn
16'
Corno di Bassetto 
1 1/3'
Larigot *
8' 
Orchestral Oboe 
II
Sesquialtera *
8'
Vox Humana
III-IV
Scharf *
8'
Tuba (15" w.p.)
16'
Cor Anglais
8'
Harmonic Trumpet (15" w.p.)
8'
Cremona
Tremulant
Tremulant
*
preparations
   

 

Main Pedal
Chancel Pedal
32'
Double Open Diapason (ext. 16' Diapason)
16'
Bourdon
32'
Contra Bourdon (ext. 16' Subbass, C-E from 32' Open)
8'
Violon (wood, façade)
16'
Open Diapason 
8'
Spitz Gedackt
16'
Violone
4'
Clarabella *
16'
Subbass
16'
Bassoon
8'
Principal
8'
Schalmei
8'
Spire Flute
4'
Fifteenth
*
preparation
V
Mixture
32'
Contra Ophicleide (ext. 16')
32'
Contra Fagott (ext. 16')
     
16'
Trombone 
16'
Fagott
     
8'
Trumpet
4'
Clarion

 


 
 
Great: On the south side, in upper case, 16' Double Open Diapason in façade
Swell: Enclosed, in upper case on north side
Choir: In lower case on south side
Solo: Enclosed, in the Skinner organ chamber
Chancel Pedal: In lower case on north side
Main Pedal: Located in Skinner chamber
Action: Mechanical  key action; self adjusting
Console: Detached and reversed, organist faces the center of the church
Bone keys with Gabon Ebony sharps
Manuals-61 notes C to c''''
Pedal-32 notes C to g' straight keys, slightly concave
Electric solenoid stop action with solid state combination action, sequencer
Balanced expression pedals Swell and Solo
 
Couplers:
Swell to Great, Choir to Great, Solo to Great 16', 8', 4'
Solo to Swell 16', 8', 4'
Swell to Choir
Great to Pedal, Swell to Pedal, Choir to Pedal, Solo to Pedal 8', 4'
 
Windchests: All divisions on pallet and slider wind chests
Organ Cases: One case on each side of the chancel, standing in the arches.
The Great (south) case with 16' Double Diapason in façade, the Swell (north) case with the Swell Diapason I in façade.
Cases constructed of solid, quartered, wormy White Oak
Pipes: Constructed of lead-tin alloys or seasoned wood.
Wind System: All divisions on 19th century style parallel-rise reservoirs, wooden wind conductors within the organ, three quiet- operating blowers in acoustical enclosures.
Tuning: Modern pitch a=440
Temperament: Modified Equal temperament 
Phone 540.886.3583